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Tobias Richardson
Academic Qualifications
- 2003 Certificate
IV Conservation Lands Management – CDU, Darwin, NT
- 2003 Diploma of Education - Secondary Art -University of Sydney,
NSW
- 1991 Bachelor
of Fine Arts –San Francisco Art Institute, USA
- 1987 Diploma
of Art - East Sydney Technical College, NSW
Awards
2008 Hill
End Artist-in Residence Program, NSW - with Presentation & Promotion
Grant, Arts NT
2008 Australia
Council - New Work Grant
2007 Asialink
Artist-in Residency – Malaysia
2006 Regional
Art Funding, Presentation & Promotion, Arts NT
2005 Portrait
of a Senior Territorian, Darwin NT
2004 Sculpture
in the Park – First prize (Non-acquisitive award), Darwin NT
Collections
Peter Fay, Griffith University Artworks, Charles Darwin University
Art Collection, NT Government House Foundation, Supreme Court NT, Perc
Tucker Regional Gallery Townsville Qld, Museum & Art Gallery of
NT & Galeri Petronas Malaysia
Professional Practice
2008 Residencies – Kuala
Lumper/Asialink, Hill End & Australian National University
2005 – 2007 Lecturer in Studio Practice – Charles Darwin
University
2003 – 2005 Education Officer – Museum & Art Gallery
of the NT
1997 – 2002 Teacher – Remote Schools (Utopia & Maningrida
NT) NT Dept. Education
Solo Exhibitions
2008 Slippage: Built Environments, Galeri Petronas,
Kuala Lumpur, Malaysia
2007 Siege, Wesleyan Church, George Brown Botanic
Gardens, Darwin, NT
2006 Exquisite House, Perc Tucker Regional Gallery,
Townsville, Qld
2006 Circumambulation, Charles Darwin University
Gallery, Darwin, NT
2005 Exquisite House, Rocketart, Newcastle, NSW
2005 Exquisite House, Manuka Gallery, Canberra Contemporary
Art Space, ACT
2005 Abject, Gallery Philip Neville, Darwin, NT
2004 Reality Painting, Charles Darwin University
Gallery, Darwin, NT
2004 Exquisite House, 24HR Art, Darwin, NT
2004 People’s Desire, Woods Street Gallery,
Darwin, NT
2004 Arresting Atrophy, Firstdraft Gallery, Sydney,
NSW
2003 Arresting Atrophy, Woods Street Gallery, Darwin,
NT
2000 New Community Stereo, Woods Street Gallery,
Darwin, NT
1998 Community, Watch This Space, Alice Springs,
NT
1995 The Last Great Love Push, Mori Gallery, Sydney,
NSW
1993 Mori Gallery, Sydney, NSW
1991 Show n’ Tell, San Francisco, CA
1989 EMR Gallery, Sydney, NSW
Selected Group Exhibitions
2008 Bangun: Abandon Project, Lost Generation Space,
Kuala Lumper, Malaysia
2007 Cross Currents, Museum of Contemporary Art,
NSW
Artist Makes
Video, Art rage Survey 1994 – 1998, Dell Gallery, Griffith University
Qld
Phoenix Spiritual Art Prize, Aust. National University Gallery, ACT
2006 Alternative Endings, Watch This Space Inc.,
Alice Springs. NT
Togart ‘06 Contemporary Art Exhibition, Parliament House, Darwin,
NT
34th Alice
Prize 2006, Alice Springs, NT
2005 Portrait of a Senior Territorian, Parliament
House, Darwin, NT
Welcome, 24Hr Art Box Set window installation, Darwin,
NT
Strand Ephemera, Townsville, QLD
Elastica: An Archive Project, The Cross Arts Projects, Sydney, NSW
Blind Date, Woods Street Gallery, Darwin (Touring NT)
Window of Opportunity, Darwin Fringe Festival, NT - Art in shop fronts
Drawn Out, Perth Institute of Contemporary Arts, Perth, WA
Kollectomania,
Charles Darwin University, Darwin, NT
2004 Sculpture in the Park, Darwin Festival (winning
entry), NT
2003 Works on Paper, Charles Darwin University Gallery,
Darwin, NT
Route Number 4, Darwin Fringe, NT – Art in shop fronts
2002 Fritz, Brown’s Mart, Darwin Fringe, Darwin,
NT
2001 Brown’s Mart, Darwin Fringe, Darwin, NT
2000 Pet Show 2000, Cynthia Broan Gallery, New York
City, NY
1999 Community, Herringbone Gallery, Sydney, NSW
1998 Advocate Art Awards, Araluen Arts Centre, Alice Springs,
NT
Strewth Blimey, Gallery 151, Sydney, NSW
Changmai Social Installation
4, Changmai, Thailand
How much do you love me, Gallery 151, Sydney,
NSW
Ocular, satellite project 10th Biennale of Sydney, Pendulum Gallery,
NSW
The Art of Collecting #2, Linden Gallery, Melbourne, VIC
Brand New, Contemporary Art Centre of South Australia, Adelaide, SA
Pet
Show, Ether Ohnetitel, Melbourne
Airfloat, Airspace, Sydney, NSW
Art Rage, ABC Rage - Video project, Curated by Kim Machan
Dr Seuss,
Ether Ohnetitel, Melbourne, VIC
Poltergeist 3, Canberra School of Art,
Canberra, ACT
Poltergeist 2, Sherman Galleries Goodhope, Sydney, NSW
Poltergeist 1, Ether Ohnetitel, Melbourne, VIC
21,600 each 24 Hrs, Canberra
Travelodge, Canberra, NSW
Mediated, ROM Gallery, Sydney, NSW
Derrr...2, Ether Ohnetitel, Melbourne, VIC
Diced Fruit, Airspace, Sydney,
NSW
Pet Show, Sudliche Markthalle, Hamburg, Germany
1991 9 Against the Grain, Anti-Matter, San Francisco,
CA
1990 Diego Rivera Gallery, San Francisco, CA
Fresh
Art, S.H. Ervin Gallery, Sydney, NSW
Hilarious,
Post Squared, Sydney, NSW
Lost and
Found, EMR Gallery, Sydney, NSW
Endangered
Spaces, Artspace, Sydney, NSW
1988 Blake Religious Art, Blaxland Gallery, Sydney,
NSW
1987 Blake Religious Art, Blaxland Gallery, Sydney,
NSW
General Publications
Smee, S.(2007), "Against the Grain", The Australian Newspaper,
Sydney NSW http://www.theaustralian.news.com.au/story/0,25197,22906393-16947,00.html
Smee,
S.(2007), "Beauty and Brains", The Australian Newspaper
- Weekend Australian, p.13-14, Sydney NSW
Crawford, A. (2007), “Siege”,
Art Collector, #41, p. 311, Sydney NSW
Scott, S. (2006), “Found
Plastic and Stolen Art Collections”,
Photofile:, The Archive Issue, #78, Sydney NSW
West, H. (2006), “Welcome” un
Magazine: Online Supplement, #7 Autumn, Melbourne Vic.
Smith, M. (2005). “Reality
vs. Neverland” Artlink: Remote,
Vol. 25 #2, p. 52, Henley Beach SA
Cameron, A. (2005), Art Collector,
#32, p.101, Sydney NSW
Andrew, L. (2002/3), Elastic Printed Project,
p.17, Sydney NSW
McKellar, Z. (1999). brink Artwrite, #1. www.cofa.unsw.ed.au
Johnson,
A. (1998). “Trash, Treasure & Hoarding”, Art
Collector, #5, p. 70, Sydney NSW
Johnson, A (1997), “Young Artists”,
Good Weekend, 26th April p. 34
Radok, S. (1996), “Spanking” The
Adelaide Review, #149 Feb. p. 28 Adelaide SA
James, B (1995), “Cordial
Welcome to Conundrums at Play The Age”,
22nd Nov. p.18, Melbourne Vic.
Coleman, F. (1994), ‘Poltergeist’ Agenda,
#36, May p. 29
Watson, B. (1993),” Paradise Deglossed” Sydney
Morning Herald, 27th Aug. p 18 |
